Kumbakonam – Nostalgia
A boy’s take of life in early days
It was a big, very big joint family. The palatial house in Krishnarao Agraharam,
where I was born, was the property of Thor-thatha and Laan-thatha (big (meaning
elder here) and small (meaning younger) grandfather, two brothers whose estate
was very big, this house being the capital of their kingdom. They were maternal uncles to my maternal
grandpa. Legally I don’t inherit a brick
of that house, but emotionally every one of us children who grew up there owned
the entire house.
The house itself was divided into three parts. The first part was the living
apartments. The second one was granary
and service area. Third one was reserved area. I will explain later.
As long as the two thathas were there, the atmosphere was
strictly religious. I was born after the
Thor-thatha, so I know and can write only about the time of the
Laan-thatha. His presence in the house
would keep everyone on toes. Devotional
song would be relayed in the hall through a speaker, connected to the radio in
thatha’s room. Such arrangement was very
high-tech then. When Pooja to the Deity
of the house, Lord Nrusimha was nearing completion, one of the kitchen staff
would strike the bronze gong at a particular rhythm, calling everyone to attend
to the Haarathi. Then food was served on
banana leaves spread in rows throughout the hall. There would at least be 30 to 40 people on
any day having food there, and on festival days the entire Brahmin community in
the neighbourhood would eat there. No
invitations. All would come to partake
of the holy Prasad. There was no dearth
of anything. This was for the elders,
who could suppress their hunger and wait for the pooja to get over at its own
pace. This was also only for the day
time. On special occasions, the number
of people partaking food would run into several hundreds.
For children like us and others who cannot wait, and for
dinner, there was a separate batch where simple food would be prepared and
served. I remember a Kamalabai who used
to cook and serve for a long time in this ‘vowla’ batch. When the number of people was high, which it
used to be during summer holidays, we had dinner in the third portion mentioned
above, leaves spread in a row along the walls of rooms there. In order to save time, instead of serving
items one by one, Kamalabai was asked to pre-mix and serve. I remember Badri (Gopa’s brother) taking the
lead during one particular holiday when it was election time too. As soon as the leaves were spread and all diners
sat, he would start shouting in a high-pitched tone: “Vote For”.
All the other children were shout back in chorus “Sambar Bath”! As soon as eating that was over, he would
again shout “Vote For” and we would shout back “Saar Bath”. Like that, dinner would continue amid a
cacophony of calls of various items from all of us. Then we would all retire to bed, on a huge,
thick sheet of what is called Jamakkalam, under the old dome-fan in the hall,
sharing stories. Once in a bluemoon, in
the middle of the night, we would awake to the shrill cries of a type of
tree-dwelling civets (“mara-naai” meaning tree-dog in Tamil), fighting each
other on something.
Getting up early was imposed on us, because the hall was to
be readied for the religious activities every morning. We would wake up to the sound and smell of –
no, not coffee, but fresh banana leaves arriving in bundles and getting
unloaded/dropped on the porch of the hall.
As soon as we got ready after brushing teeth, Vaitha would bring a huge
circular tray full of tumblers filled with cow’s milk, hot, sweet-smelling and
tasty. I used to allow it to cool under
the fan, let the layer of fat collect, and then scoop it and eat it. The milk was so good that this process could
be repeated several times. Others would
take Bournvita, Ovaltine, Cocoa, Horlicks, etc. to their choice. Everything was available.
Once the beverage was over, we would spread out, mostly to
the front yard where there was a huge tree with fragrant white flowers, called
“Panneer Pushpam”. It was a type of
tree-jasmine, very fragrant and very delicate.
The whole street would carry the scent of this flower in the early
morning. The children’s job was to shake
the tree, collect the flowers and give them to the elders for adding to the
pooja material. The other flower we were
often asked to collect was “magizhampoo” from Kalu athya’s garden, which again
was extra-ordinarily fragrant, getting more so as it dried. Then the boys and girls would separate their
ways for their own games.
We would also watch with interest, for a brief while, two
smiling men, cut the banana leaves to the required numbers and sizes. What was interesting, for us then, was that both
of them – they were brothers – were completely mute – deaf and dumb, but were
so charming and communicative that they would engage us for a while with their
sign language and hearty smile.
We boys used to wander in the large “bagh” behind, home to a
variety of trees and plants you could never see in the city, amid rows and rows
of coconut and palm trees. We also used to play in the pile of
haystacks, often hiding mangoes we had stolen from the trees (though nobody
bothered about it), to ripe there for a few days and eat them later. Sometimes, we would land on others’ catch
too, and sometimes we found our stash missing too.
Occasionally, we used take bath in the huge cement tub meant
for storing water for bathing the cattle, to take extended dips during
scorching summer heat. We would first plug the drain hole with a bunch of hay,
and then switch on the motor pump. Standing in the tub, we would show our heads
one by one to the forceful flow of water from the pump, until the tub was full,
which was about chest-high for us then.
Once the tub was full, then we would start climbing the wall and jumping
in as if it was a swimming pool, and make merry for hours together, completely
losing track of time.
The afternoons, when all the elders would be asleep after a
heavy meal, would be reserved for our stealthy explorations. The huge house, with so many rooms upstairs,
gave us enough room for adventure for any length of time. Of particular
interest was the narrow, dimly lit, long and steep passageway upstairs from the
main hall, and the winding stairs to the grandfather-clocks room from the
entrance hall. All the rooms had
exquisite antique things- furniture, chests of drawer with beautiful glass
handles of different colours, and innumerable fancy things inside those drawers
which we ogled with wide eyes and deep desire, but did not have the courage to
even touch. The grandfather clocks,
several of them, were stacked in one of the bigger rooms upstairs. All of them had huge chains with two big
cylindrical counterweights and the ends to act as the key mechanism.
We also used to admire several beautiful paintings, which we we later understood were originals by Ravi Varma. One of them was a huge painting of a mother lying with closed eyes either immersed in some pleasant memories or enjoying the feeding of her baby. As small boys, we would often pause and pass an unsure and shy look at her open breasts and at the sight of someone approaching, would quickly run away!
The huge hall, two-storey high, would smell of the fragrant “Nagalinga”
flowers offered to the various Gods in huge frames. The rosewood or magagony tables would put
polished mirror to shame. The country tiles would breathe and keep the hall
cool even in the hottest of summers.
Another area of interest was the occasional trips out,
either to cinemas or for festivals in the neighbourhood. Thatha had a Dodge car, and trips to places a
little away, such as Idaichumoolai, a village where all his agri-land was, would
be on this car. For other places, we
used bullock-carts. Riding on them was
fun. Cramped in the small cart, we rode
through the busy town streets shouting and chatting, and constantly bugging
Krishnamoorthy to poke the back of the bullock with the pin-tipped stick in
order for it to run faster. I remember
when the famous MGR movie Adimai-penn was released, the town was allotted only
one copy of the film rolls, but it was released in to theatres – Diamond and
Jupiter, if I am right. It was believed
that the owners of the theatres planned and timed the show in their theatres in
such a way that as soon as one roll of the film was finished at one theatre, it
was immediately taken on a bicycle to the other theatre (I don’t remember
seeing any two-wheelers in those days, bicycle was the fastest means of common
man’s transport).
Can you forget the river?
A trip to Kumbakonam would not be complete without a visit to the river,
when the water was neck-deep. The river
was fairly wide at the Vittal Mandhir ghat.
Though the flow would appear slow, it would just push you back when you
stand in the water, and you had to strain hard to get a good foothold on the
sand beneath and push your way forward in order to remain at the same
place! The cold water in the hot sun
would feel like heaven, we just would not wish get out of the water, until a
servant from the house appeared on the back with strict instructions to pull us
out and get us home!
We enjoyed summer rains the most in Kumbakonam. Almost every other or third day the skies
would darken, thunder clouds would gather and heavy rains would pour for an
hour or two. The house was well
ventilated with open spaces in between, neatly equipped with spouts and drains
to collect and discharge the rain water.
We would make paper boats, let them float at the first point of water
discharge in the hall, and follow it through to the kitchen and to the back
yard, repeating the process several times until the flow of water stopped.
The hall also featured a broad wooden plank swing, on which
my grandma would sleep in the afternoons.
In the evenings, all the relatives would sit on the plank, sometimes
even 10 to 12 people sitting tightly close and holding each other over the
shoulder for support, a couple of us taking turns to alight and push the swing
to dangerous heights, much to the thrill of the adventurous and to the
bewilderment of the weak and timid. Both
elders and children would scream at the top of our voice at the thrill of the
swing ride. Occasionally, we have had
minor mishaps also, one or two of the riders falling from the swing and getting
hurt, sometimes even hit by the returning swing. Despite such risks, the swing ride was always
an enjoyable thrill.
The other pastime activity was playing dice with my
grandma. She had a collection of
exquisite, rare sea-shells which we used as coins or pawns for the game.
I learned to ride bicycle only in that house. When my cousin-uncle Suresh (my mother’s
cousin by relation, but younger to me by age) left for school, he had a small
(baby) bicycle and I took it to ride within the confines of the hall, around
the central courtyard.
The Sidhdha medicine practitioner named “Milagu Vaithiar”
would visit at least once when we were there for our annual visits. He used to carry a tin box tucked around his
cloth-belt. The box contained several
cylindrical vials of powders of all colours neat stacked. After the elders’ consultation with him was
over, he would gather all the children around him and distribute a general,
digestive mix of powder from his vials, neatly tapping the powder out from the
vial on to small squares of paper and folding them into thin strips, to be
eaten mixed with sugar or honey.
If I sit down and think back, I am sure it will kindle more
and more of the wonderful memories of the beautiful past we had at this lovely
place. Now the children who grew up
there have all spread out. Some prospered well, some are managing to live. Only
a few visit the house, that too not often.
The house now looks bare and empty, bereft of all life and
activity. The only life clinging to it seems
to be the deity of the house, Lord Nrusimha, whose daily rituals are taken care
of by the priest visiting every morning. And my aunt, who still lives there as
a member of the families of the Trustees.
Only nostalgic memories fill the otherwise hollow emptiness of its
environs. What will eventually happen to
this place, He only knows.
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